|
Released Separately, 'Based On' and 'A true
Dream' make up Steve Kopandy's debut double album. Inspired by world
travels and living in Europe, this emotive journey through living,
loving and leaving comes with a photographic journey. So far it's
received great reviews in Australia and the USA.
Founded in piano and guitar song writing, the music is
embellished with lush synths, guitars, loops and harmonies. Steve
covers the ground of stripped back piano balladeer, Ryan Adams'esque,
in Songs like 'Paris in the Winter' and 'Corona and Lime', right
through to the wide layered production that Simply Red or Tears for
Fears taught in the 80's, in songs like 'Amsterdam'.
Artwork Credits by Steve
Tim
Adams and I worked several months coming up with artwork concepts and
refining them as the music developed. In the end, we decided to go with
photo collages, made up mainly of my travel shots in Europe from
2004-2008

Many
people think the cover shot is my home town of Newcastle, because of
the ships. It's actually Main Beach
Barcelona. The photo was
snapped by a couple of girls I met on a bike tour. It wasn't supposed
to be anything more than an average holiday shot. I think it's a great
representation of the record.

The back cover is a shot of the Berliner Dom and Palast der
republik, with the Berlin TV Tower behind, taken
2004. Palast der Repiblik is a communist era building which has been
dismantled due to asbestos (RIP). The red tinge came out naturally
because it was a faulty film taken with my old analogue camera (also
RIP).

Inside
the first booklet, the first shot was taken at Concorde, in Paris.
The second is the Paris Opera House. The final shot is me and
my friend Becky D at a bus stop in North London, 2005.

for
the 1997teen spread we decided to put photos of me and my friends in
our youth, to fit with the theme of the song. The 2 gorgeous girls in
the centre left are Meg and Sara, snapped at my 27th
Birthday in Newcastle. Top left is San and I in Antwerp,
followed by some long exposure photography tricks by CJ and I in
Newcastle. The ipod shot is Sarah N and I on the Eurostar
to Belguim, DJ'ing a mix for each other. Below that is Becky D
and I in the Trafalgar Square fountain late one night
after a summer ball, splashing around like kids, and below that, me
hugging Becky D at my London farewell at my former local, The Raven,
Stamford Brook, West London. The light, top right, shined down from
the roof cavity of the original Motown Studio, Detroit.
This is a pretty significant place as all Motown recordings were sent
through a speaker and picked up by another mic in this natural reverb
chamber, thus creating the distinctive sound that Motown became famous
for. Jordan Brown (one of the Based On Producers) used a similar tactic
on 'The Wire', by re-recording the song through mic'd up AM radios. The
little white specs are not falling stars, but falling snow one night in
Kew Bridge, West London, where
I used to live.

This
is Checkpoint Charlie, Berlin.
Corona & Lime is set in Berlin, so we had to choose a shot form
there to go with the lyric. This one typifies it perfectly- I even
snapped it the actual morning that the song is set in. I didn't think
that much of the photo but When I showed Tim, he loved it. Couldn't
believe I hadn't put if forward for the artwork earlier. It was one of
the later additions to the booklet.

This
is Amsterdam Central Station. Just waiting for a train to
Alkmaar so I snapped some shots. Tim did the cool photoshop edits.

Back
at the Bus stop in North London, this time with Ash and Bec. It
was after midnight, waiting for the N52 to come, so we took about 50
photos. This was the cool arty 'money shot'.

The
first Panel in 'A True Dream' is a shot of me in a Tokyo
casino, by Tim Harris. We both loved this wall and the artwork and I
had a feeling it would end up in a CD somewhere. I don't know who the
aritist is. If anyone does, please let me know. On the right is Highgate
Underground station, North London in 2008. I'd just
finished Rock Trivia at the Boogaloo with Ali Kerry, Ben Hutton, Ben
Capp and a few others. On my way home, fell in love with the lack of
advertising. It looked beautiful. The crowd spliced in between are
watching a live performance at Amoeba Records, Hollywood. I
was shopping there with my friend from LA, Nikhil Korula, and
performing was Patty Smith, recently inducted into the Rock'n'Roll Hall of
Fame.

No
we're not in Amsterdam. On the left is
Kurashaki, Japan, and on the Right is Wels, Austria. Both
of these shots taken on my world tour with Tim Harris in 2007. It was
6am and freezing in Austria as you can probably see. Tim and I had no
sleep, having just finished an Australia Day party with some locals.

Solerno,
Southern Italy. Get the ferry to Amalfi and you'll walk past this
scene. I love the Amalfi Coast. I went back to Rome, picked up my
family and friends and went straight back there.

The
shot on the left was taken with my analogue camera in 2004. It was
August in the Netherlands, and I love this beach scene near Alkmaar,
not far from Amsterdam. On the right, I'm with Angie Graham and
Chad mason, on the Gold Coast, Australia, somewhere in the
corner of a cafe. Chad, Angie and I were doing shows in Brisbane and
hanging out with Angie's friends on the Goldie. Down the centre are
some photographs taken by Rachael Devlin in her Apartment in Carlton,
Melbourne. We were trying to get cover shots for A True Dream but
it didn't work out. I like them here though.

Up
in the distance are Tim Harris and Meg Russel at Allawah Station,
Sydney. We were heading into the City for a night out, and I saw
this photo. I told them to walk ahead.
Production
Credits
| Song |
Paris in the Winter |
| Track |
1 |
| Producer |
Steve Kopandy |
| Writer |
Steve Kopandy |
| Piano |
Steve Kopandy |
| Piano Type |
Kawai Grand |
| Piano Engineering |
Steve Kopandy |
| Piano mics |
Rode NT1A (x2) |
| Vocals |
Steve Kopandy |
| Vocal Mic |
Studio Project |
| Vocal Production |
Phil Butson |
| Recording location |
St Pauls Grammar, Sydney, The Black Box, Melbourne |
| Writing Location |
Paris, London and Newcastle |
| Song |
Falls To You |
| Track |
2 |
| Producer |
David Carr |
| Writer |
Steve Kopandy |
| Drum Programming |
David Carr |
| Bass |
David Carr |
| Synths |
Steve Kopandy/David Carr |
| Programming |
David Carr |
| Acoustic |
Jordan Brown |
| Acoustic type |
Taylor 414 |
| Acoustic mics |
Cad e300 |
| Electric |
David Carr |
| Vocals |
Steve Kopandy |
| Vocal Mic |
Cad e300 |
| Vocal Production |
Jordan Brown |
| Recording location |
Rangemaster, Melbourne, Jordan's House |
| Writing Location |
Coffs Harbour, Newcastle |
| Song |
1997teen |
| Track |
3 |
| Producer |
Steve Kopandy |
| Writer |
Steve Kopandy |
| Drums |
Tim Harris/David Carr |
| Drum Programming |
Steve Kopandy |
| Bass |
Jordan Brown (Samick) |
| Piano |
Steve Kopandy |
| Piano Type |
Kawai Grand |
| Piano Engineering |
Steve kopandy (St Pauls Grammar) |
| Piano mics |
Rode NT1A (x2) |
| Keyboard |
Steve Kopandy |
| String arrangements |
Steve Kopandy (Roland D50 and Reason Adapted) |
| Synths |
Steve Kopandy (Reason Adapted) |
| Programming |
Steve Kopandy |
| Acoustic |
Steve Kopandy |
| Acoustic type |
Taylor 414 |
| Acoustic mics |
Cad e300, Rode NT1A |
| Vocals |
Steve kopandy |
| Vocal Mic |
Cad e300 |
| Vocal Production |
Steve Kopandy |
| BV's |
Steve Kopandy |
| BV production |
Steve Kopandy |
| Recording location |
St Pauls Grammar, Penrith, jungle Sounds Newcastle,
Rangemaster Melbourne, Jordans house, Steve's House |
| Writing Location |
Ohio Turnpike, Ohio, Indiana and Chicago |
| Song |
Falling Stars are Breaking up |
| Track |
4 |
| Producer |
Steve Kopandy |
| Writer |
Steve Kopandy |
| Tambourine |
Jordan Brown |
| Bass |
Jesse Delaney |
| Keyboard |
Steve Kopandy (Hammond) |
| Acoustic |
Jordan Brown |
| Acoustic type |
Taylor 414 |
| Acoustic mics |
Cad e200, Rode NT1A |
| Electric |
Phil Butson |
| Electric Type |
80's Gibson Les Paul Special (with Ebow) |
| Vocals |
Steve Kopandy |
| Vocal Mic |
Cad e300 |
| Vocal Production |
Steve Kopandy |
| BV's |
Steve Kopandy |
| BV production |
Steve Kopandy |
| Recording location |
Jungle Sounds, Newcastle, The Black Box Melbourne,
Jesse's House, Melbourne |
| Writing Location |
Newcastle |
| Song |
Corona and Lime |
| Track |
5 |
| Producer |
Steve Kopandy |
| Writer |
Steve Kopandy |
| Piano |
Steve Kopandy |
| Piano Type |
Brother 6'3 |
| Piano Engineering |
David Carr |
| Piano mics |
Neumann KM85 (x2), AKG c451 (x2) |
| Synths |
Steve Kopandy (Korg 3000 analogue synth) |
| Vocals |
Steve Kopandy |
| Vocal Mic |
Cad e300, Rode NT1a (BV's) |
| Vocal Production |
Jordan Brown |
| BV's |
Marissa Saroca |
| BV production |
Steve Kopandy |
| Recording location |
Classic Audio, Melbourne, Jesse's House,
Jordan's House, Jungle Sounds Newcastle |
| Writing Location |
On the train from Berlin to Amsterdam, Alkmaar, Newcastle |
| Song |
The Wire |
| Track |
6 |
| Producer |
Jordan Brown |
| Writer |
Steve Kopandy |
| Drums |
Jordan Brown |
| Drum Programming |
Steve Kopandy |
| Bass |
Jordan Brown |
| String arrangements |
Steve Kopandy |
| Synths |
Steve Kopandy |
| Acoustic |
Jordan Brown |
| Acoustic type |
Taylor 414 |
| Acoustic mics |
Cad e300 |
| Electric |
Jordan Brown |
| Vocals |
Steve Kopandy |
| Vocal Mic |
Cad e300 |
| Vocal Production |
Jordan Brown |
| BV's |
Steve Kopandy |
| BV production |
Phil Butson |
| Recording location |
Jordan's House, The Black Box. |
| Writing Location |
London |
| Song |
Fever |
| Track |
7 |
| Producer |
David Carr |
| Writer |
Ben Hutton, Ian Hutton |
| Drums |
Matt Slavin |
| Bass |
David Carr/ Ian Hutton |
| Acoustic |
Ben Hutton |
| Acoustic type |
K.Yari |
| Acoustic mics |
Can't remember |
| Electric |
Corey Sleap, David Carr, Ian Hutton |
| Electric Type |
Can't Remember |
| Vocals |
Steve Kopandy |
| Vocal Mic |
Cad e200 |
| Vocal Production |
David Carr |
| BV's |
Ben Hutton, David Carr |
| BV production |
David Carr |
| Recording location |
Rangemaster, Melbourne |
| Song |
All Broke Down |
| Track |
8 |
| Producer |
Steve Kopandy |
| Writer |
Steve Kopandy |
| Acoustic |
Steve Kopandy |
| Acoustic type |
Taylor 414 |
| |